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    Haugenbok.no Fagbøker Religion, historie og filosofi Kunsthistorie Segunda Vez

    Segunda Vez

    Segunda Vez

    Segunda Vez (how Masotta was repeated, a research project led by Dora Garcia)

    Forfatter Kunsthøgskolen i Oslo

    (Emiliano Battista - Redaktør)

    Kunsthøgskolen i Oslo

    (Emiliano Battista - Oversetter)

    Kunsthøgskolen i Oslo

    Levering 2-12 dager

    300,-

    ISBN:

    9788293104209

    Forlag:

    Kunsthøgskolen i Oslo

    Trykkeår:

    2018

    Utgitt:

    2018

    Utgave:

    1

    Sider:

    319

    Vekt:

    628 gr

    Alder:

    Voksen

    Segunda Vez
    Kunsthøgskolen i Oslo
    9788293104209

    Forlagets omtale:

    Segunda Vez is an art research project centered on the figure of Oscar Masotta (Buenos Aires, 1930, Barcelona, 1979), an author of groundbreaking texts about the Happening, art, and dematerialization, a pioneer of Lacanian psychoanalysis in the Spanish-speaking world, and a happenista. The project LES MER has yielded a full-length and four medium-length films by Dora García, two Cahiers documenting the research, and this book. Segunda Vez: How Masotta Was Repeated offers a selection of Masotta's writings, including his early study of Argentinean author Roberto Arlt, as well as texts that contextualize Masotta's thought and broaden the reach of his reflections on the intersections between performance and psychoanalysis, art and politics. LES MINDRE Forlagets omtale Segunda Vez is an art research project centered on the figure of Oscar Masotta (Buenos Aires, 1930, Barcelona, 1979), an author of groundbreaking texts about the Happening, art, and dematerialization, a pioneer of Lacanian psychoanalysis in the Spanish-speaking world, and a happenista. The project has yielded a full-length and four medium-length films by Dora García, two Cahiers documenting the research, and this book. Segunda Vez: How Masotta Was Repeated offers a selection of Masotta's writings, including his early study of Argentinean author Roberto Arlt, as well as texts that contextualize Masotta's thought and broaden the reach of his reflections on the intersections between performance and psychoanalysis, art and politics.

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